Conceptual design stage

Guess I’ve ignored this space quite a bit. But hey! Its the conceptual design stage. As usual, we’re always busy.

So we’ve start with Joint Crit 1 (JC1) – Case study on SANAA’s EPFL Rolex Learning Centre.

Then we had a Primer Project – Modular Sculpture on ‘Body+Space+Time’ exploration.

Short term break came, I was involved in the the Chinatown Masterplanning team, and during the 3 week break we learnt up some Revit and drew up the base plan- first part of the masterplanning project.

Plus a team of 7 of us did a BCA competition on Tropical Architecture!

So there goes the break. 🙂

A week after that a group of us headed up to KL of the DATUM:KL NOW conference. Had a great time with friends, shopping, eating, class bonding session. The lectures were great, as usual, lectures outside the classroom are always better ! 😀 We had big guys like Ole Schereen- CCTV guy, Marc Simmons, Alfredo Brillembourg, Hiroshi Nakamura, Zhang Li, Cameron Sinclair from Architecture for Humanity, and even Dato’ Idris Jala came by for a keynote. I love Brillembourg and Sinclair’s work the best. I guess that’s what I ultimately want to be doing. Something that’s worth it. Something that I won’t question myself everyday, is it really worth it?

Fancy Architecture should not be what we wanna push for, really. Heck going into super conceptual stuff, really. The built environment is really much more than what is published in glossy magazines. I want to get into innovative work that can benefit communities, reaching out to people. It feels like a need right now, with so much horror going on. It’s time to say no to private sectors and governments who want to showcase economic power through iconic and fancy architecture. Leave wow architecture to the 3D modelling department. Leave it to the cinematic department. Leave it to animators who does Tron Legacy and Transformers and all the Sci-Fi movies. We need not waste resources into building them. There’s a strong urge here to divert these resources to improve the lives of the thousands who are unheard of, barely noticeable. Never believed in big scale expensive, extravagant, architecture.

Gotta thank Sinclair and Brillembourg on stirring up some conscience. Social justice is no more a choice. It is the law. Since I’m ‘stucked’ in this line at 20, I think I’ve some good decisions to make in the years to come.

So. JC2’s coming up in a few days (and Here I am, trying to update this space). Some friends got into the AA workshop. Was interested to check it out- but for a cost I have to pay- a sum of money (which I think not worth the sum) and the time sacrificed for JC2. It would look jolly good in my portfolio, but hey, AA isn’t what I aim for. No dreams of ending up there. So yes! Concept. People drop by to ask me about it, but I have no good catchy line for it. I can’t sum it up, yet. Dennis has been a great help at work, great lecturer, and seems like he have something for me that sounds like ‘Nature vs. Artificial’.

Yeah, tons of trees on site, I love the habitat, the squirrels, the colourful birds that fly from branches. I want the dancers to take the flying birds as their inspiration. The choreographers, to look into their movement, the grace, the detail. (hummngbird study!) The students, the hours of physically tiring trainings, to look at the birds and marvel, the state of defying gravity, the ability of one day they might ‘fly’ higher. So with that, it’s the space and view out to the habitat that’s prevalent in my architecture. The form dictated by the function and building around the natural habitat. Creation will inspire. Who’s the master Artist in the first place?

So there goes my brief update since the last entry. After this submission I shall hope I get time to upload visuals of the past two month’s worth of work!

Cheers.

Start the next lap.

Thought of you – Ryan Atwood

The sketchy and conceptual animation that makes the figures dance to the music, telling a story, beautiful!

So third year have started, we’ve just finished the first joint crit of the year. It’s a group project, where we did a detailed case study for chosen projects. My group got SANAA’s Rolex Learning center in Lausanne, Switzerland.

So what’s year 3’s design brief?

We’re designing for a contemporary dance company!

So it’ll have training areas for students and instructors, and also cater for the public for smaller scale experimental performances in the black box.

I’ve read some on Merce Cunningham, watched some of his contemporary dance videos- its something completely new to me. Coming up next is a primer project, we archi students will be dancing blindfolded, I heard, if my lecturer wasn’t kidding. Plus they called an external dance instructor to teach us, and its called contact improvisation- see how sporting we can be this coming week! Exciting! Meanwhile, we’re supposed to think about our inspirations and stuff. Won’t be starting the design and site analysis work officially until past the June break.

Next week I’ll be going out to take the HK archi students round Singapore city! Signed up for the Tuesday and Thursday one, so on Tuesdays we’ll be visiting National Museum, School of The Arts, and LaSalle. Thursday we’ll be watching WOHA and CSYA giving presentations! Friends kinda pushed me to go for the thursday one, they treat these firms like the firm god of singapore! Well, their portfolio is pretty impressive, definitely famous in these region.

Ending updates here.
Cheers!

Year 2 Project: SOHO Apartment (stage 2)

Stage 2 of the SOHO apartment project focuses on the micro detailing, facade, implementation of green features, and spatial quality of the interior.

Here’s the link to stage 1 of conceptual and macro design: https://thesamejulia.wordpress.com/2010/08/16/year-2-project-soho-apartment/

Exterior rendering, brief conceptual and client write-up, site plan, site brief.

Part plan.

East elevation and green wall section.

Section.

Interior rendering illustrating spatial quality and images of physical model.

Main part section, bathroom services and details, Micro detailing.

Water harvesting diagram.

Structure and construction diagram and explanatory text.

still pretty much a Kid. yes Me.

I know the price of success: dedication, hard work, and an unremitting devotion to the things you want to see happen.

-Frank Lloyd Wright

He should be a good writer, a skilful draftsman, versed in geometry and optics, expert at figures, acquainted with history, informed on the principles of natural and moral philosophy, somewhat of a musician, not ignorant of the sciences both of law and physic, nor of the motions, laws, and relations to each other, of the heavenly bodies.

– Vitruvius

Vit, I’m trying!

An architect should be ingenious, and apt in the acquisition of knowledge.

– Vitruvius

how to buy a present for an architect

http://mattersoftaste.wordpress.com/2009/12/18/how-to-buy-a-present-for-an-architect/

(Got this article from the link above. I’m often amused by these kind of writings. Its a good blog, by the way.)

It happens to even the kindest people in the nicest families: you find yourself related to (or, bless your heart, married to) an architect.  Don’t get me wrong: an architect can be a real asset to a family.  They have reasonable conversation skills (on a set number of topics) and they almost always have good personal hygiene and they tend to be well-educated (at least they have been to college for at least six years).  At the same time, those six years that they spent in architecture school (a different environment than being at a university—but that’s a subject for another day) can do some funny things to people.  A certain flintiness, an inability to keep from commenting on the settings of movies, sensitivity to bright lights and impatience with the ordinary are common side-effects of architecture education and practice.  These quirks can mean real headaches for those who, already under the pressure of finding good and appropriate gifts for normal people, are met with the challenge of finding a good gift for an architect, who has been trained at college to react to any new stimulation (a new building, a gallery exhibition, the dinner menu, political candidates, your new shoes, a marriage proposal) with either cool disdain or flagrant boredom.  At best, you may see an architect express reserved admiration.  But this positive reaction is especially rare in situations in which the architect receives a gift.

And we know you’ve tried hard: you’ve found those column-shaped plaster bookends, or the Historic Doors Of Our Town calendar, or perhaps the museum-store silk tie with picture of tiny temples silk-screened on it.  You may have even wrapped it up in navy paper with white ribbon to suggest the image of a blueprint!  And the result is invariably the same: your gift prompts your architect’s face to twist into a withering expression that captures exasperation, disappointment, bewilderment and pity all at once.  As a reformed architect, I am here to help you avoid such painful exchanges. In the spirit of Christmas gift-giving, and in the tradition of end-of-the-year Top Ten lists (but make no mistake, this is advice that is sound for year-round gift-giving for birthdays as well as for that perfect storm prompted by the marriage of two architects), behold this list of:

Ten Things To Give, Or Not To Give, An Architect

DO GIVE:  Garments

Selecting clothing with the proper lines (not “style”) takes some confidence; for safety’s sake you may wish to select from the realm of accessories, keeping in mind that female architects wear the neckties and male architects wear the scarves.  Getting the right color is easy: acceptable shades include black, white (the new black), gray (the new white), and charcoal (the new gray).  You might think these shifts  (that have just changed again in the time it took you to read that sentence) express changes infashion.  Keep firmly in mind that your architect eschews fashion itself for its sense of personality and flexibility, and its lack of truth and consistency.  However, she is sensitive to cultural transformations in hue ascendencies as a manifestation of the zeitgeist in wardrobic modalities. If you insist on “color,” you may choose orange—at least for the next five minutes.

DO NOT GIVE:  Electronics

Your architect already got the Wii, Kindle, Flip, iPhone and iPod, etc. etc., as soon as they came out.  However, he might not be able to afford their maintenance, so a gift certificate to iTunes, Verizon, Amazon or your local electric company might be in order.

DO GIVE:  Things for recording inspiration

Specifically, pens and notebooks.  Architects love pens, and although your architect probably already has a longstanding love affair established with a  very particular kind of felt tip or rollerball, some sort of fancy fountain pen is oftentimes a welcome addition to the stock of pens that litter her apartment, purse, car and office cube at that place where she’s temping.  Also, she likes to carry notebooks where she can doodle little pictures (she will call them parti diagrams) and random thoughts (she will call them critical analyses).  These thin volumes also look great sitting on the table at Starbucks while she scans the job listings online AIA career center on her Mac.  Brand: you can’t go wrong with Moleskine, although you should avoid the temptation to pick up one of the lively colors that Moleskine has brought out recently; your serious architect wants only classic black.

DO GIVE:  Building fragments

Although your architect may scoff at the idea of designing in a historical tradition (she will call it “quaint,” “nostalgic,” or perhaps “retardataire”), she likes to adorn (not “decorate;” architects do not “decorate”) her living space (probably in a nineteenth-century apartment building or an early twentieth-century bungalow) with the remnants of buildings that have been demolished or otherwise abused by later development.  Warning: this has to be real, true refuse from an old building site; do not give a new object d’art that has been rusticated. It is inauthentic and, cute as it might be, is to be scorned.

DO NOT GIVE:  Books on architects you have heard of

Architects love books, especially if they are heavy on pictures and light on text.  But before you purchase that collection of beautifully-photographed Prairie Houses, remember that your architect has received enough books on Frank Lloyd Wright to last a lifetime and, moreover, he worked hard to develop an aversion to popular architects early in his career.  Also, ignore any book that includes any of the following words without quotation marks: structure, efficiency, and beauty.  For safe maneuvering through the two whole shelves of architecture books at Border’s, read on.

DO GIVE:  Books on architects you have never heard of

The main thing: the less the buildings in the pictures look like actual buildings to you, the better.  Look for a book that includes at least five of the following words in the preface: hermetic, enigmatic signifier, spatial warping, transparency, antitransparency, interiority, exteriority, phenomenology, neoformation, anxiety, monadology, nihilism, biomorphism, hermeneutics, ennui, architectonic, and prozac.Examine the dust jacket author photo: if the architect/critic is neither bearing statement glasses nor a facial expression that would win the approval of the most blasé French model, put it down immediately.  Lastly, the titles can help guide your selection, too: choose a book whose title has the highest punctuation-to-letter ratio.  A title that is all punctuation would be ideal.

DO NOT GIVE: Coffee- or tea-making devices

You might think this is a good idea, since your architect is always complaining about late nights and early mornings, how little she sleeps, and how much she depends on caffeinated stimulation to make it through the day.  But, if she is a novice in the kitchen (see “interesting-looking cookware,” below), she will not know what to do with that French Press and will break it.  More likely, she is already a coffee snob and does not need any more gadgetry to make coffee at home, even though she only gets coffee at Starbucks (or, if she is very cool and picky, Intelligentsia).

DO GIVE: Interesting-looking cookware

Even though your architect is still eating the way he did in college (frozen pizza, Chinese carry-out), he has become aware that grownups cook.  Perhaps this discovery was made during a visit to the country house of his office’s principal—perhaps to deliver marked-up plans on a weekend—where he observed the principal’s wife preparing a range of tapas for the guests who were to arrive shortly after your architect was ushered out the kitchen door.  Although your architect has neither the time nor the inclination to learn to cook, he will appreciate a display of interesting cookware in the kitchen.  The Bialetti Moka Pot—all Machine Age aesthetics and Italian pedigree—is  a no-brainer; likewise, anything from the Alessi catalogue will do, and these come with the advantage of reintroducing a semblance humor into your architect’s life.  In addition, even if they are never used, a nutmeg grinder, a paella pan or a tagine would be a fine selections; they suggest a sophisticated palate and the exoticism of travel to fascinating foreign destinations that he cannot afford while paying off all those student loans.

DO NOT GIVE: Sports-related gifts

Architects do not have time for sports.  They learned in college that Sunday was for sleeping in and Monday nights were the first night of the week to stay up late.  Occasionally you will find an architect with a fondness for college sports, but this is only if they went to a Midwestern or Southern school, especially at a campus that positioned the architecture building next to the sports arenas, allowing the architecture students to absorb some school spirit by osmosis as the cheers of the Homecoming crowds echoed through the concrete walls of the studio.  If this describes your architect, you may consider tickets to a game, but by no means should you consider purchasing a team jersey or, quelle horreur, a baseball cap (see “Garments” above).

DO GIVE:  Toys

Architects tend to share a common denominator of having loved popup books and Legos as children.  Such gifts will be welcome, and will allow your architect to enjoy the nostalgic reference to their development, the reminder of play that was part of their first three-dimensional creations.  And you very well may catch them later, after everyone else has gone to sleep, weeping over their little, colorful, plastic building blocks and wondering where their joy in building went.